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1210 11 |
Ultima descărcare din IBN: 2023-06-14 10:08 |
Căutarea după subiecte similare conform CZU |
792.071.1(479.22) (1) |
Teatru. Artă scenică. Reprezentații teatrale (524) |
SM ISO690:2012 KHETAGURI, Levan. Robert Sturua and Postdramatic theater. In: Arta , 2014, nr. 2(AAV), pp. 107-110. ISSN 2345-1181. |
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Arta | ||||||
Numărul 2(AAV) / 2014 / ISSN 2345-1181 /ISSNe 2537-6136 | ||||||
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CZU: 792.071.1(479.22) | ||||||
Pag. 107-110 | ||||||
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The development of national dramaturgy – mythology well established concept of the XIXth century, linked to the intensification of national movements in Europe, in which 2-3 decades ago, which is not actual anymoreThe role of the leader (also known as „attractor” in synergetics) in the self-organization process of the script can be
assumed by: temporal or space elements, inciting events, the main characters’ personalities, etc. We will refer to the time coordinates of the script, especially the duration of the action vs. the subject’s dynamic. Twentieth century, theatrical art, Expressionism started very distinctive individualism, the theater stage has stepped director, painter, composer, author of Art as a serious statement, but at the same time to introduce a completely
new problems through drama /later theatrical text/. We need to see the wider context of the history of the theater and see that the professional theater’s twentysix centuries of evolutionary and experimental theater history has been passed on many forms, and saw that he was part of. We are now in the era of postdramatic theatre.
The last performance of Robert Sturua at the Rustaveli National theatre was staged in 2011, based on Georgian play by Tamaz Chiladze
... But Robert Sturua’s theater inside and outside of the forms still prodramatic theater. |
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Cuvinte-cheie Robert Sturua, Tamaz Chiladze, Rustaveli National Theatre, postdramatic theatre, prodramatic theater |
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