Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
1794 0 |
Căutarea după subiecte similare conform CZU |
81’37 (121) |
Lingvistică. Limbi (5107) |
SM ISO690:2012 КРИВОТУРОВ, Юрий. Смысловая мозаика текста. In: Intertext , 2019, nr. 3-4(51-52), pp. 196-207. ISSN 1857-3711. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Intertext | ||||||
Numărul 3-4(51-52) / 2019 / ISSN 1857-3711 /ISSNe 2345-1750 | ||||||
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CZU: 81’37 | ||||||
Pag. 196-207 | ||||||
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Descarcă PDF | ||||||
Rezumat | ||||||
Sense as a consistent component of any statement is not given in a ready-made form. It is created as a result of creative processing of all values, linearly located components of the utterance. The number of components of an utterance is determined by the relationship between the name and the predicate, this ratio determines the number of components necessary for the utterance. This number can be different depending on meaning. The sense statement is in the memory when the next sense is formed, with which they are logically related, etc. The semantic statement has the form of a sentence, as the smallest unit of speech. In the clash of meanings, the content (meaning of a higher level) of the whole work arises. The tone of the overall work depends on the intention of the author. Tonal characteristics, the relationship of meanings with meanings-dominants "draw" a picture of the whole work. There are no rules for following semantic units. Here there is a logic of narration, "enveloped" by the emotional impulses of the author. Ideas (concepts) and meanings of individual words are the most reliable tool for creating meanings of different levels. Separate, it may seem, irreducible meanings have a deep inner connection that corresponds to the author's intention. |
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Cuvinte-cheie meaning, irreducible meanings, correlation, name, predicate, dominant sense, intention |
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