Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
1214 6 |
Ultima descărcare din IBN: 2023-02-15 14:15 |
SM ISO690:2012 PÎSLARI, Snejana. Imaginative timbre. In: Anuar ştiinţific: muzică, teatru, arte plastice, 2012, nr. 1(14), pp. 83-88. ISSN 1857-2251. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Anuar ştiinţific: muzică, teatru, arte plastice | ||||||
Numărul 1(14) / 2012 / ISSN 1857-2251 | ||||||
|
||||||
Pag. 83-88 | ||||||
|
||||||
Descarcă PDF | ||||||
Rezumat | ||||||
The perception of the timbral factor in musical compositions is the result of the synthesis of its acoustic capabilities
with the peculiarities of a person’s inner world, such as knowledge, experience, outlook and the spiritual wealth
he accumulated. This article examines ways of using various timbral aspects in the composer’s creation using the concepts of timbral apperception and separation developed by V. Tsytovich. The article is aimed at the study of simulative, associative, imaginary timbres, their varieties in the works of European composers and in the “Symphonic Dances” by Pavel Rivilis. |
||||||
Cuvinte-cheie Symphonic Dances, timbre, timbral mixt, illusory timbres, simulative timbres |
||||||
|